Recent Theatre Works
Photos can be found in gallery!
Moses and Kitch stand around on the corner – talking shit, passing the time, and hoping that maybe today will be different. As they dream of their promised land, a stranger wanders into their space with his own agenda and derails their plans. Emotional and lyrical, Pass Over crafts everyday profanities into poetic and humorous riffs, exposing the unquestionable human spirit of young men stuck in a cycle they’re desperately trying to escape.
Nate Correll played Mister/Ossifer in this audio play rendition of Pass Over by Antoinette Nwandu.
Spring Awakening
Spring Awakening is a play written in 1891 by Frank Wedekind, a German playwright. The work depicts schoolchildren in a German provincial town in the 1890s whose struggle to reconcile their budding sexual feelings and the moral code of their society leads them to tragedy.
Nate Correll portrayed Hansy/Mrs. Gabor in Basement’s production of Spring Awakening. He was both fight and intimacy captain for the project.
“SMTD junior Nate Correll as Hansy/Mrs. Gabor also stood out because of the contrast in his portrayals of the overbearing, ultimately sympathetic Mrs. Gabor and the closeted gay schoolboy, Hansy. He was able to reach the audience because of the variation both between and within each of his performances, and he was exceptionally precise in his emotional delivery of each of his monologues.”
— Michigan Daily
Shakespeare
Romeo & Juliet
In 2021, Nate portrayed Tybalt in the University of Michigan’s production of Romeo & Juliet. On top of this role, Nate was the fight and intimacy choreographer for this production. Video coming soon!
King Lear
In the summer of 2019, Nate travelled abroad to the Czech Republic to study with the Prague Shakespeare Company. During his time, he had the privilege to play Edmund in King Lear on the Estate Theatre, one of the most historic theatres in Prague. Nate was assistant fight choreographer and fight captain on this project.
Midsummer Night’s Dream
In the summer of 2019, Nate travelled abroad to the Czech Republic to study with the Prague Shakespeare Company. His second show with the company was Midsummer, where he got to play Demetrius alongside the brilliant actors of the company. Nate was assistant fight and intimacy choreographer for this project.